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Comrades (Kamraterna) 1886-87

Comrades (Kamraterna) is a witty satire on the emancipation of women and reproof of the modern ideal of the equality of men and women. Still performed, still biting, still timely, this may be Strindberg's play with the most complex birth process. The saga of the modern woman Bertha was begun in 1886 as the 5-act play Marauders (Marodörer), was rewritten as the 4-act Comrades (Kamraterna) in 1886-87, and concluded in 1887 with the famous "prequel" The Father (Fadren). While it was classed with such plays as Ibsen's Doll's House (1879) and Ghosts (1882), and Anne-Charlotte Leffler's True Women (1883)—all of them known to Strindberg—and highly controversial at the time, it is surprising how many of its issues remain burning to this day.